Literary Analysis
Historical Erasure & Common Moments in Brooks’s ‘Maud Martha’
A LITERARY ANALYSIS OF THE NARRATIVE IMPLICATIONS OF THE VIGNETTE STRUCTURE OF GWENDOLYN BROOKS’S 1953 NOVEL
The only novel written by poet Gwendolyn Brooks, Maud Martha (1953) is structured as a series of 34 vignettes/chapters that range from 2 to 20 pages, with the average less than 10. The poetic narrative traces the life ray of Maud Martha Brown from around age six, up until her pregnancy with a second child (she seems to be in her late twenties by the final chapter). This ray is formed both through the content that is present — the described action in the vignettes — and the content that is absent — the unsaid that happens between the vignettes. In the rapid passage of time “off-stage,” and the pausing on often seemingly banal activities, Brooks’s fragmented structure exposes history’s relentless erasure of marginalized narratives, and reveals the corresponding therapeutic importance of paying attention to the feat of surviving everyday moments as Maud is marginalized as a young black woman.